Jose Sueiro

Jose Sueiro

born in New York City of immigrant parents and settled here to study at George

Washington & American Universities. I am a Ward 1 resident and tenant at 1841 Columbia Road

since 1973. I was originally an ANC Commissioner in 1988 and later worked in the Office of

Mayor Anthony Williams. I’ve been a teacher, community activist, culture advocate, journalist,

businessman, and Mayoral appointee. I consult on issues of affordable housing and economic

development. My background includes:

Public Service

• Director, Latin American Youth Center,

• D.C. Recreation Dept. Roving Leader – delinquency and gang prevention,

• Teacher, Oyster Bilingual Elementary School; Soccer coach, Wilson & Bell H.S.,

• ANC Commissioner 1988-90.

• President; 1841 Columbia Road Tenant Assoc.,

• Member; AARP/DC Executive Committee,

• Neighborhood Services, Office of the Mayor, 2000-06.


• Publisher; El Latino Newspaper, Spanish language community newspaper 1976-89,

• Publisher; La Nación Newspaper, Spanish language weekly newspaper, 1990-99,

• Editor; “Noticias del Mundo”; Washington Times Spanish language daily, 2000,

• Panelist, Reporters Roundtable, Channel 16


• Creator; “Escuela de Rumba” school of music,

• Co-Founder; GALA Hispanic Theatre

• Radio Host; ‘Duende & Caché’ Latin music show

• President; Hispanic Festival of Washington D.C.

Small Business & Affordable Housing

• Consultant; Development Corporation of Columbia Heights,

• Partner; LCHIP Development Group, LLC - affordable housing in D.C.,

• Director; Coalition of Park Road Businesses, Inc.

• Director; D.C. Hispanic Contractors Association, Inc.

Vote Jose Sueiro for ANC1C03 on November

Website URL:

With JPN Masonry & Otto Madrid The Sky's the Limit

He arrived in the United States on March 3rd, 2001 with a backpack full of dreams much like other Salvadoran immigrants. Until one day, four years later, in the corner of a Centreville apartment, JPN Masonry was born and the construction world opened a new array of possibilities for Otto Madrid, now President & CEO of JPN.

At GALA Theatre:

            The first thing that stands out when you mention Gala Theatre's new production of Lope de Vega's classic comedy, "El Perro del Hortelano", (translated as, 'The Dog in the Manger', but better described as the 'gardener's' dog, the one who doesn't eat or allow others to partake), performing live now through Nov. 22, is the unprecedented act of bravery it takes to produce a live theatre piece at this dangerous juncture. Not easy, yet GALA has done it with care and caution under safe conditions and, remarkably, with a delightfully fresh comedy, a welcome antidote to our gloomy, lugubrious times.

            The gazebo-like scenario encased in transparent acrylic plastic transforms into an attractive and relatively unnoticed staging vehicle. Everything occurs quite naturally for a 16th century comedy of errors from one of the Spanish speaking world's most iconic authors.

            Of course with only 50 people in the audience (25% of the theatre) and everyone wearing masks you are constantly aware of the altered circumstances and the ever present health hazard. Nevertheless, bravo to the little theatre that could!

            Lope de Vega was a contemporary of Shakespeare and his place in the literature of Spain runs parallel to the Master of Stratford on the Avon, although with his theatrical comedies in particular, he is most often compared to the Frenchman Moliere. 'El Perro...' is a farce of envy, double entendre's and hidden identities. It concerns a well bred noblewoman named Diana, played expertly by the visiting Soraya Padrao, who is attracted to her lowly Secretary, Teodoro, while at the same time being courted by two well off noblemen. Teodoro is stricken with love for another of Countess Diana's servants and the jealous noblewoman plots to separate them all the time misleading her lowly suitor and the two nobleman, there are twists and turns and ultimately no one ends up satisfied with the results.

            Director Jose Zayas has done a remarkable job with a compact, modernized conception of the play as has the young Spanish playwright/actor, Paco Gomez, who was commissioned by GALA to create this version simplifying the language and structure of Lope de Vega's story. The GALA ensemble is, as usual, remarkable in its depiction of the various (combined) roles. Just watching Luz Nicolas and Carlos Castillo play their various roles is enough to make the evening a worthwhile theatrical event.

            If you can get a seat and are satisfied you will be safe and healthy after (they actually take temperatures at the door) it is a magical evening of theatre, in particular for those of us who love the shows and have suffered without for some time now. Be safe, take care and if you're a theatre lover and adventurous enough... go see the play at GALA! All the information is on their website;

Testimony of Manny Monterrey on August 28th, 2020 March on Washington

        >> See the video at the end>>  I attended the March on Washington 2020 excited to capture images of a people united in support for the decent treatment of all humans. I’ve seen televised images of the 1963 March on Washington and I am moved each time at the harmony and love you see the attendees had for one another; it was genuine. Blacks and Whites for one moment were frozen in history in total and complete union and I just knew in my heart I would witness the same in this commemorative and commitment march organized by Dr. King’s very own son. While we all new the numbers would be lower than anticipated due to the global pandemic, I never in my wildest daydream could of even made up what I technically ‘didn’t see’. In a city where it is estimated 1.5 million Latinos reside within the tri-state region, our presence was next to none. In fact, from 9 am to 2 pm I counted a total of four, yes four Latinos attending the event, and two of those included myself and my wife.

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